Bibliography
Basic references:
Guerin, W. L. et al. A Handbook of Critical Approaches to Literature. 5th edition. Oxford: Oxford University Press, 2005.
Pope, Rob. The English Studies Book. Routledge, 1998.
Oshima, Alice, and Ann Hogue. Writing Academic English. London: Longman, 2006.
McCormack, Joan and John Slaght. English for Academic Study: Extended Writing & Research Skills. Reading: Garnet, 2009.
Miller, Lindy. Mastering Practical Criticism. Basingstoke: Palgrave, 2001.
Murfin, Ross and S. M. Ray. The Bedford Glossary of Critical and Literary Terms. 3rd ed. Boston: Bedford/St. Martin, 2009.
Peck, J. and M. Coyle. Practical Criticism. London: Macmillan, 1995.
Hawthorn, J. Studying the novel. London: Arnold, 2001.
Klarer, Mario. An Introduction to Literary Studies. 2nd ed. London and New York: Routledge, 2004.
Selden, Raman, et al. A Reader’s Guide to Contemporary Literary Theory. London: Prentice Hall, 1997.
Selden, Raman. Practising Theory and Reading Literature: An Introduction. New York: Harvester Wheatsheaf, 1989.
Young, Tory. Studying English Literature: A Practical Guide. Cambridge: Cambridge University Press, 2008.
Hamlet references:
Bristol, Michael D. "'Funeral bak'd-meats': Carnival and the Carnivalesque in Hamlet." William Shakespeare: Hamlet. Ed. Susanne L. Wofford. Case Studies in Contemporary Criticism. Boston: St. Martin's, 1994. 348-67.
Burnett, Mark Thornton and John Manning, eds. New Essays on Hamlet. Hamlet Collection 1. New York: AMS, 1994.
Burnett, Mark Thornton. "'To Hear and See the Matter': Communicating Technology in Michael Almereyda's Hamlet (2000)." Cinema Journal 42.3 (2003): 48-69.
Calderwood, James L. To Be and Not To Be: Negation and Metadrama in ‘Hamlet’. New York, 1983. Rpt. in Hamlet, New Casebooks, ed. Martin Coyle, 1992.
Coyle, Martin, ed. Hamlet. New Casebooks. Basingstoke: Macmillan Press, 1993.
Dawson, Anthony B. Hamlet. Shakespeare in Performance. Manchester: Manchester University Press, 1995.
de Grazia, Margreta. “Hamlet” Without Hamlet. Cambridge: Cambridge University Press, 2007.
Edwards, Philip, ed. Hamlet, Prince of Denmark. The New Cambridge Shakespeare. New York: Cambridge UP, 1985. [Uses both the Second Quarto and the First Folio as the basis of his eclectic edition; Q2-only passages between square brackets in main text]
Gibson, Rex. Hamlet. Cambridge Student Guide. Cambridge: Cambridge University Press, 2001.
Greenblatt, Stephen. “[Introduction to] Hamlet.” The Norton Shakespeare, Based on the Oxford Edition. Gen. ed. Stephen Greenblatt. 2nd ed. Vol 2. New York: W. W. Norton, 2008. 103-115.
Greenblatt, Stephen. Hamlet in Purgatory. Princeton: Princeton UP, 2001.
Guerin, W. L. et alli. A Handbook of Critical Approaches to Literature. 5th edition. Oxford: Oxford University Press, 2005. [Applies approaches to Hamlet : Precritical, in pages 7-13, Historical and Biographical 57-61, Moral and Philosophical 80-81, Formalist 129-136, Psychological 161-164, Mythological and Archetypal 195-199, Feminist 242-249, Cultural 305-311]
Hapgood. Robert, ed. Hamlet. Shakespeare in Production. Cambridge: Cambridge University Press.
Harris, Laurie Lanzen, ed. Shakespearean Criticism. Vol. 1. Detroit: Gale, 1984. [Contains summaries and excerpts of criticism on Hamlet ]
Hibbard, G.R., ed. Hamlet: Prince of Denmark. Oxford Shakespeare Series. New York: Oxford UP, 1987. [Use First Folio text as copy-text and places Q2-only passages in appendix; eclectic editing]
Jenkins, Harold, ed. Hamlet. The New Arden Shakespeare. London: Methuen, 1982. [Uses Second Quarto text as copy-text; "conflated" text; eclectic editing]
Kahn, Coppélia. "Claudius on His Knees." Shakespeare Up Close. Ed. Russ McDonald, N. D. Nace and T. D. Williams. London: Bloomsbury, 2012. 282-290 [Example of close reading applied to Claudius's soliloquy in 3.3]
Kinney, Arthur, ed. “Hamlet”: New Critical Essays. London: Routledge, 2002.
Kliman, Bernice W. "Hamlet". Film, Television, and Audio Performance. London: Associated University Press, 1988.
Kott, Jan. “Hamlet of the Mid-Century.” Shakespeare, Our Contemporary. Trans. Boleslaw Taborski. Doubleday & Company, 1965. 51-65. Rpt. in Harris, Shakespearean Criticism.
Showalter, Elaine. "Representing Ophelia: Women, Madness and the Responsibilities of Feminist Criticism". Ed. Patricia Parker and Geoffrey Hartman. Shakespeare and the Question of Theory. London: Routledge, 1985. Reprinted in: Ed. Martin Coyle. Hamlet: New Casebooks. Macmillan, 1992. Reprinted in: S. L. Wofford, ed. William Shakespeare: Hamlet. Case Studies in Contemporary Criticism. Boston: Bedford/St Martin's Press, 1994. 220-40.
Smith, Peter, and Nigel Wood, eds. Hamlet: Theory in Practice. Buckingham: Open University Press, 1996.
Smith, Rebeca. "A Heart Cleft in Twain: the Dilemma of Shakespeare's Gertrude". Ed. Martin Coyle. Hamlet: New Casebooks. Macmillan, 1992.
Spurgeon, Caroline 1935. Shakespeare's Imagery and What It Tells Us. Cambridge: Cambridge University Press. Reprinted in Harris, Shakespearean Criticisim. Vol 1.
Thompson, Ann, and Neil Taylor ed. Hamlet. The New Arden Shakespeare. London: Thomson Learning, 2006. [Uses Second Quarto text as copy-text; conservative editing.]
Tronch-Pérez, Jesús, ed. A Synoptic Hamlet: A Critical Synoptic Edition of the Second Quarto/ and First Folio texts of Hamlet. València: Sederi: Universitat de València, 2002.
Ubersfeld, Anne. Reading Theatre. [trans. Lire le théâtre 1 (Editions Belin, 1996)] Toronto: University of Toronto Press, 1999. [Contains application of Greimas's actantial model to Hamlet]
Werstine, Paul. “The Textual Mystery of Hamlet.” Shakespeare Quaterly 39 (1998): 1-26. [Argues against "conflated" version]
Other references:
Baldick, Chris. The Concise Oxford Dictionary of Literary Terms. Oxford UP, 1990.
Blake, N. F. An Introduction to the Language of Literature. Houndmills and London: Macmillan, 1990.
Brooks, Cleanth, and Robert Penn. Understanding Poetry. London: Holt, Rinehart & Wilson, 1968. [Seminal work of the New Criticism]
Carter, Ronald, ed. Language and Literature: An Introductory Reader in Stylistics. George Allen & Unwin, 1982.
Chicago Manual of Style Online. <http://www.chicagomanualofstyle.org/tools.html>
Coyle, Martin, ed. Encyclopaedia of Literature and Criticism. London: Routledge, 1991.
Fowler, Roger, ed. A Dictionary of Modern Critical Terms. London and New York: Routledge, 1987.
Gibaldi, Joseph. MLA Handbook for Writers of Research Papers. 6th ed. New York: Modern Language Association, 2003.
Gómez Lara, Manuel J., and Juan A. Prieto Pablos. The Ways of the Word : an advanced course on reading and the analysis of literary texts. Huelva : Universidad de Huelva, 1994.
Green, Keith and Jill LeBihan. Critical Theory and Practice: A Coursebook. London: Routledge, 1996.
Greimas, A. J., Sémantique structurale, Paris: Presse universitaires de France, 1986 [1966].
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Hébert, Louis. "The Actantial Model". Signo [online], Rimouski (Quebec), http://www.signosemio.com/greimas/actantial-model.asp [Last accessed 2/2/2016]
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Leech, G. N. A Linguistic Guide to English Poetry. London: Longman,
Lennard, John. The poetry handbook : a guide to reading poetry for pleasure and practical criticism. Oxford: Oxford University Press, 1996
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